“Well, it’s rather brutal here. Our recommendation is all of our clients to invest all their resources into preserved goods and firearms.” This piece of shrewd guidance comes from the Brain Gremlin – a scientifically altered, talking, bespectacled member of the slick creature crowd that swarms Manhattan’s ultra-modern Clamp Tower skyscraper in director Joe Dante’s unhinged continuation Gremlins 2: The New Batch. Superficially, it’s simply an investment tip from one monster to another. But, curiously, it’s also pretty solid life guidance. Seriously, hear me out.
When life takes a turn for the worse, the worst thing you can do is approach matters with excessive gravity. The Brain Gremlin comprehends this. In fact, most of the toothy monsters that inhabit Dante’s chaotic 1990 feature (arguably his best) possess the same sly, self-aware sense of humour regarding the indistinct border separating daily routine and unadulterated chaos. It’s a single component of Gremlins 2: The New Batch that keeps me coming back – and the older I get, it’s the message that strikes the deepest chord.
Understandably, my attachment to this movie did not begin on such an introspective level. As a child, we were limited to a few scratched-up video tapes at home. Among them were Gremlins and its second chapter, the latter housed in a thick former-rental sleeve likely purchased from an independent video outlet and sporting snarling creatures on its tattered front. I was instantly captivated and these films did not delay inserting themselves inside my young, susceptible psyche. After that point, they became an near-everyday part of my childhood viewing routine.
Dante’s original usually receives all the accolades, thanks largely to its status as a moderately spooky festive favorite – and don’t get me wrong, I’ve watched Gremlins more times than I can count. However, its sequel seldom receives the same level of lofty appreciation, which feels unjust. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During sunny school summer breaks, I’d retreat into the house and pop it in. When I acquired my personal TV-VHS combo unit, it continued playing looped in my bedroom. Gradually, it became deeply rooted in my psyche. If my parents observed this fixation, they didn’t seem to mind.
As I matured, new understandings rewarded repeat viewings, amplifying the pleasure of watching little green monsters joyously wreck a New York high-rise. I learned the ahead-of-its-time development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by the later-to-be-president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) referencing his one-time partner Marla Maples. Luckily, Clamp possesses greater compassion than his genuine article inspiration.
The “end of civilisation” video Clamp plays during maximum monster mayhem? I discovered it was modeled after a real-life “Doomsday” video created by the CNN boss Ted Turner as a contingency for the world truly faced apocalypse. I noticed how Dante made a special effort to film varying versions of a self-aware scene where Gremlins seize control of the very film you’re watching. A version for theaters, one for VHS and TV, each delivering a smirking slice of fourth-wall-breaking cultural alchemy prior to the concept being mainstream.
While it was makeup maestro Rick Baker’s gloriously nasty-looking creatures that drew my gaze as a child, this subsurface richness kept me hooked as an adult. Eventually, I even spoke to Dante about it myself and he had no qualms telling me he made the movie with the specific aim of ridiculing those who loved its goofy-but-heartfelt predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This cartoonish defiance and determination to not take his sequel as gravely as his Warner Bros bosses evidently expected, only deepened my appreciation further.
When I experienced a unexpected loss in the family not long ago, I was surprised to find that, during my most profound sorrow, all I wanted to do was sit and watch Gremlins 2: The New Batch. Odd, no? Possibly not. The nostalgic calm it offered was essential to dilute my mind’s grief morass – but the stuff it had bestowed upon me as an adult were similarly beneficial.
Like Gremlins tearing apart a genetics laboratory, there’s particular aspects in life you just are powerless over. Dante understands this. The Brain Gremlin shares this wisdom. Sometimes, you have to be like them: accept the turmoil, put everything you’ve got into tinned provisions and hunting rifles and try not to approach life with excessive gravity.
It’s robust worldly wisdom from a most improbable origin – and it’s the reason Gremlins 2: The New Batch will eternally stand as my comfort movie.
Award-winning journalist specializing in digital media and communications with over a decade of experience in Canadian newsrooms.